
City Talks: Amanda Gunawan
Amanda Gunawan reveals her passion for thoughtful, progressive design, along with her daily inspirations.
Words PLUS MAGAZINE
Portrait Illustration OJIMA ABALAKA
Every city has more than one story to tell and one face to show. Regardless of the artistic background, each place is filled with inspiring individuals shaping its culture and narrative. In City Talks, we feature 10 creatives representing each city per season, inviting contributors to share personal connections and foster a community that evokes a sense of belonging.
The second season is set in Los Angeles, where we speak with Interior designer Tommy Clements of Clements Design. Over the past decade, the firm has established itself as a leader in creating nature-inspired, gallery-like interiors that beautifully balance sophistication and simplicity. Renowned for their impeccable selection of antiques and thoughtful attention to detail, Clements Design crafts spaces that not only exude timeless elegance but also bring each client’s unique personal story to life.
PLUS MAGAZINE: What is the first thing you do when you wake up?
TOMMY CLEMENTS: Coffee before anything else.
P: Where is your favorite (go-to) restaurant in LA?
TC: The Ivy. It’s a classic. The food and the vibe haven’t changed one bit since it opened in the 80s. They have the friendliest staff, always filled to the brim with fresh-cut flowers, and they make the best margarita in town.
P: What are your ways of recharging/ taking breaks?
TC: For me, the only true way to take a break is to get out of town. Otherwise, I am constantly getting sucked into work. I have a lake house in Lake Geneva, Wisconsin, which is totally off the grid. It was initially built in the 1800s and served as the carriage house to an iconic historic estate on the lake. I did a major renovation/restoration project and filled it with art, furniture, and objects I love living with. There is a stillness about it that I find so peaceful. It’s the perfect hideaway.
P: What song are you into these days (and why)?
TC: I just worked on a project with Jerry Lorenzo (founder of Fear of God), and he shared a playlist that he created for one of his 2020 shows in Paris. It’s all old-school R&B and yacht rock… Luther Vandross, Al Green, Ambrosia, Roberta Flack, Aretha…it’s a vibe.
P: What is your design philosophy and one thing you always keep in mind when designing?
TC: I try to get inside my clients’ heads when creating their homes. I want to understand how they like to live, what’s important to them, and what they love so that I’m not imposing a predetermined design vision. Homes that feel like a reflection of the people who inhabit them are the homes that genuinely have souls.
P: If you could have any artwork in your house, what would it be?
TC: Cy Twombly’s Four Seasons works.
P: How would you describe the architectural/design scene in Los Angeles?
TC: I love being a part of the architecture and design scene in Los Angeles because there is so much variety. At any given moment, I can simultaneously work on an iconic mid-century Hal Levitt home, a 1930s Wallace Neff, ground-up new construction projects with Howard Backen and Scott Mitchell, and a Montecito George Washington Smith Spanish revival. You have to be able to flex a lot of muscles at once. It keeps me on my toes, and I enjoy that immensely.
P: How do you see the future of design?
TC: I think the use of antiques has been neglected and widely overlooked in many recent American designs. It’s also not an easy sell to some clients here in Los Angeles who have a certain idea of what “California living” looks like. That said, I am really trying to make antiques a more significant part of the conversation. The dialogue between modern design and beautiful 18th/19th century English, Italian, or French antiques is fascinating. I think there is a huge opportunity to make that combination feel fresh and new.
P: How do you combine beauty and function in your design?
TC: At the start of every project, I always focus strictly on a floor plan and furniture plan. All of the early conversations relate to the program and layout. Those things need to be nailed down first and foremost before there can be any discussions about look and feel, materials, furnishings, palette, etc. At the end of the day, the proportions of a room, the scale of furnishings, and the flow of spaces need to be correct. If they aren’t, it won’t matter how beautiful the furniture, the art, and the objects are; the home will never feel right.
P: What change would you like to see in the creative industry at large?
TC: I would like to see interiors, architecture, and fashion magazines have their heyday again. The publishing industry has obviously suffered since the rise of social media. There is so much imagery and noise constantly coming at us. A lot of creative output feels like it is being heavily diluted. Don’t get me wrong, I love Instagram and think it is a phenomenal tool. But there is nothing like flipping through a magazine’s pages with a concentration of well-edited, curated, thoughtful stories.
P: Which three qualities in yourself are you most thankful for?
TC: Loyalty, tenacity, kindness.
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